Saturday, February 21, 2009

Allan Moore's V for Vendetta review by Jesse B.

A young girl is pressed against a wall by a group of policemen who ready themselves for raping and subsequently murdering her. Suddenly, a cloaked figure wearing a smiling mask approaches, quoting Macbeth. The man releases a stream of tear gas and drops off a bomb as a souvenir. He grabs the girl and carries her to safety on the city rooftops. Together they watch as the Houses of Parliament are bombed to the ground. Fireworks follow.

So begins the stunning graphic novel V for Vendetta, written by Alan Moore and illustrated by David Lloyd. In a post-nuclear war England, a Neonazi group comes into power and establishes a totalitarian empire. All minority groups are sent to "relocation camps" and are systematically exterminated.

Enter "V", a revolutionary bearing a Guy Fawkes mask who devotes himself to the principles of anarchy and aims to destroy the current government and its institutions. V saves the life of Evey Hammond, a sixteen-year-old orphan, and shelters her in his "Shadow Gallery". He grants the girl access to all of the cultural knowledge forbidden by national law. Evey wonders at all of this, but most of all wonders at the mystery of the man behind the mask.

A brilliant analysis of modern society and a disheartening picture of a potential future, V for Vendetta is of a surety one of the greatest graphic novels one will ever read. But if the above material did not impress this upon the reader, let it now be made plain: This novel is not for the faint of heart. Murder, rape and genocide are but a sampling of the heavy topics touched upon by Lloyd and Moore. V for Vendetta is not your standard comic book fare, as the majority of the novel focuses on philosophy, sociology and politics. If one undertakes the reading of this novel, that person should be prepared to experience both disgust and elation. One must remember, "England prevails."

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